in collaboaration with Oliver Husain

DNCB is a media installation about Dinitrochlorobenzene, a substance used in colour film processing and as an alternative HIV medication during the AIDS crisis in the early nineties. Drawing a connection between self-medication and independent film developing labs, the work combines material experimentation, historical research and performance practices. The story of a chemical substance called DNCB is the starting point for our project. DNCB was used in film and photography labs as a component of colour processing. It was easily available through Kodak, for example. In 1986, at the beginning of the so-called AIDS crisis, a San Francisco based chemist discovered through self-experiments that DNCB applied to the skin had a positive effect on the immune system and was a way to treat Kaposi’s Sarcoma. He campaigned for medical research into the substance, and was involved in the founding of the first independent guerrilla AIDS clinic.
From our contemporary perspective, it is very touching and potent that at a moment when technological progress was about to make chemical film development obsolete, one of its ingredients had this other, non-filmic use value.

The performance was presented at the Schwules Museum in Berlin on November 28, 2018
and at Mumok Kino Vienna on June, 12, 2019

and in summer 2021 DNCB was part of the group exhibition

The Garden. Kinematografien der Erde

a documentation of the installation can be found here:

What Are They Fighting For? On Oliver Husain, Kerstin Schroedinger, and the community who embraced DNCB as an experimental treatment for HIV
by Theodore (ted) Kerr

published in C Magazine Winter 2021